“Rewind, Replay, Rebound: Live in Deutschland” was recorded during their tour on Germany do divulgate their latest studio album, “Rewind, Replay, Rebound” (2019), and all their eras are shown on their songs, so it’s a fine choice for those that still don’t know VOLBEAT’s work.

The recordings done by Dennie Miller and Mads Mikkelsen (this one on “Pelvis on Fire” and “Sorry Sack of Bones”) find on the mixing of Jacob Hansen (mixing) and on the editions of Justin D’Angelo and Adam Boose (who did the mastering as well) the perfect team to make the songs understandable, but keeping the energy and live feeling of the album. And they’re not economic, because they bring 27 songs, a feature that is not usual today (maybe many older bands could learn a thing or two with the quartet).

And the setlist of the album is really excellent, with many of their hits presented. But their music is unstoppable, charming and seductive, and on this live album, a feature that becomes clear is that they’re able to do the same things of studio recording on their shows, except that their energy is amazing greater. The best feature in their work is the blend they do of aspects of many musical genres as Heavy Metal (the classic approach), Hard Rock from the 80’s, Psychobilly, Rockabilly, touches of Groove Metal, and tons of Rock ‘n’ Roll elements, creating a heavy, catching and commercially accessible music that’s hard to label properly. It’s excellent, especially their new live album, “Rewind, Replay, Rebound (Live in Deutschland)”. And if you’re living today, give a chance to yourself and know the musical work of the Danish quartet VOLBEAT. It’s a total and great trashy way of thinking and living, because you’ll lose many great opportunities, and some of them you’ll not take back as time takes over. It’s a narrow-minded conception that one who love the old can’t like the new (and vice-versa). It seems that the new and the old can’t exist side by side in the minds of many fans.

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